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2017.02.07 Tue, by

BROOK ANDREW
Assemblage

Galerie Nathalie Obadia is thrilled to organise Assemblage, the first personal exhibition by Australian artist Brook Andrew in Brussels. >> Read more

2016.06.07 Tue, by

BROOK ANDREW – OPENING ON MAY 28TH

Galerie Nathalie Obadia is delighted to present The Forest, >> Read more

Artist profiles, 2011.08.07 Sun, by

On Liu Wei

Video aesthetics, visual perception, horizontality vs verticality. >> Read more

Artist profiles, 2011.05.05 Thu, by

Review of Liu Wei’s “Trilogy” — Part II

Minsheng Art Museum, Shanghai. March 20 to May 3, 2011 Liu Wei’s ‘Trilogy’ at Minsheng Art Museum, Shanghai Part II — Read Part I of this review here The Gothic flying buttresses seem to have developed, at least partly, out of two series of work: Liu Wei’s composition of recycled windows and doors, “The Outcast,” (2007; also previously shown […] >> Read more

思考, 2017.09.07 Thu, by

Ears Set Free

(中文) 作为一个业余艺术写作者，我时常在展览上对作品背后的意义揣摩猜度，斟酌字句去权衡对作品的理解和对现状的思考，在这过程中消耗了太多感受的能量，在时下你方唱罢我登场，层出不穷费解的局面中，也常迷离出戏，此时此刻，音符所施予的力量却是如此简单和直接。 >> Read more

思考, 2016.05.20 Fri, by

Why Commentaries on Cao Fei’s Retrospective Don’t Make Total Sense

The plain gesture of juxtaposing a minor group of Guangzhou cosplay enthusiasts with cranes at construction sites and migrant workers doesn’t really distill the essence either of societal change in contemporary China or “the numbing state of modernity” >> Read more

思考, 2015.12.09 Wed, by